000			01318nam a2200229 4500
001			9487
090			_a9487
099			_tLIVR
100			_a20260227d u||y0frey5050 ba
101			_aeng _aara
102			_aSY
200			_aLife in ash - حياة في الرماد _bLIVR _e[ Atassi Gallery, Damascus, Syria, 2002 ] _fNizar Sabour _fنزار صابور _gFadi C. Abdelhak
210			_aسورية _aSyrie _cs.n. _d2002
215			_an.p. _ccouv.coul. _d23.5 x 16.5
330			_aAlways interacting with the surrounding social and political events, Sabour addressed the Palestinian revolution and the disaster of a train burning in Egypt in his series Life in ashes (2001-2003). His media was a means to convey the harshness of the human condition: he used ashes and black olive mill pomace and performed with the roughness of the materials to depict simplified and congregated figures, people who seem to have lost their forms and aspects through tough experiences.
606			_aArt dans le monde arabe _xArtiste syrien _xArt en Syrie _925883
606			_aArt in the Arab World _xSyrian artist _xArt in Syria _925886
700			_4Peintre _aSabour _bNizar _925884
702			_4730 _a Abdelhak _bFadi C. _925885
801			_aTN _b32BIS _c20260227 _gUNIMARC
830			_aABA
856			_uhttps://dafbeirut.org/artists/nizar-sabour